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Antoni Tàpies
Barcelona, 1923-2012
1955
Mixed media on canvas, 194.5 x 170 cm
Acquired in 1985
Large Oval is one of Tàpies’ first masterpieces, produced shortly after he had begun to experiment with the abstraction of Art Informel and matter painting. It is characterised by its formal simplicity, the sober presence of matter, shapes, signs and scratches and a moderate range of colour, limited to variants of ochre and grey, typical of old walls. The titles of Tàpies’ works always refer to the specific formal, iconographic, objectival or chromatic motifs they contain, stressing their materiality, their textual and physical nature. However, the evocative lyrical capacity and the contemplative solemnity that emanate from his oeuvre make it one of the most profound existential reflections in twentieth-century art. In 1953 Tàpies’ initially Surrealist oeuvre began to develop in two directions: towards the drama of Existentialism, on the one hand, and towards the meditative attitude of Zen Buddhism, on the other. The Catalan painter is probably the most complex and creative example of matter painting, one of the main branches of Art Informel previously developed by Fautrier and Dubuffet. The introduction of gestural marks, signs and waste materials, and the creation of three-dimensional works have enhanced the painter’s evolution, by means of which he has made significant contributions to both Arte Povera and Installation Art. [J.V.]

The Bilbao Fine Arts Museum Website complies with all the accessibility directives for Level Double-A Website content specified by the W3C. All Priority 1 and 2 requisites have been exhaustively checked in order to guarantee compliance with current legislation.
The following are just some of the steps taken to assure accessibility to the Bilbao Fine Art Museum's Website:
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This Website includes sign-language videos for each of the works selected for the Recommended Itinerary museum visit.
These videos for the hearing impaired are encrusted in a fixed section of the Website that also contains additional content (original text). In order to watch the videos, you must have the Adobe Flash Player installed in your Browser.
Last century, a reformation and expansion project for the Bilbao Fine Arts Museum was started towards the end of the '90's.
In the previous study of needs, the lack of proper accesses for and the use of Museum spaces and services by the physically impaired became immediately apparent. The complexity of our having a historic building dating from the year 1945 to which another, modern extension had been added towards the end of the '60's, made a modification of accesses and an improvement in general transit an absolute priority. In order to do this, current norm D16/84 was applied in the Accessibility Plan referring to the elimination of architectural barriers bearing in mind the following points:
The old entrance to the Museum that used to have a staircase was changed.
Two new entrances were built giving access to the Museum from the reformed Plaza del Monumento to the Arriaga and from the new Plaza Chillida. Both of these new entrances give directly into the Museum, neither have stairs and they are both on the same level.
Interior communication problems were solved using ramps.
6 elevators, 2 goods lifts, 3 general use lifts and 1 specially adapted lift were installed.
2 new toilets, complete with their recommended free-movement distances, bars and supports for easier use by the handicapped, were also installed.
Signposting inside the Museum keeps all accessibility aspects in mind.
Maps indicating the specially-adapted itinerary avoiding all architectural and structural barriers are available. There are wheel- and folding-chairs available to visitors at the Ticket Office. Click here to look at the specially-adapted itinerary map.
Some rows of conventional seats were removed to accommodate wheel-chairs.
On the other hand, the Museum welcomes all requests from people with special needs. These requests should please be made through our Teaching Department which orients and programs visits according to the specific interests and characteristics of visitors.
In conjunction with Iberdrola and ONCE (The Spanish National Organisation for the Blind), the Museum offers people who are visually impaired the possibility of getting to know the Museum Collection by using a specific programme. The Museum also has a specially-adapted computer available for consulting the Museum Collection in the Library. We are currently working on an itinerary using Braille signs.
The Museum, in collaboration with Iberdrola and Gorabide, suggests an introduction to the Museum for people with special learning difficulties with a series of specially commented visits.
The Museum has designed visits to the Museum Collection and Exhibitions for people in social insertion programmes. These visits use a methodology that has been specially adapted to this group's interest and expectations.