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Joaquín Sorolla
Valencia, 1863-Cercedilla, Madrid, 1923
1893
Oil on canvas, 103.5 x 125.5 cm
Contributed by the City Council of Bilbao in 1913
Joaquín Sorolla’s artistic beginnings are connected to the academicism prevailing in Spain in the late nineteenth century. In 1879 he trained at the Academy of San Carlos in Valencia and from there moved to Madrid in 1881, where he discovered the oeuvre of Velázquez, which made a deep impression on him. Having obtained a grant he was able to settle in Rome during the first months of 1885, and subsequently moved to Paris, where he would be greatly influenced by the artistic avant-garde. During the decade of 1890 he produced genre paintings and works that focused on social criticism, followed by experiments based on the predominance of flat light that distanced him from Impressionist painters and earned him international acclaim, especially with his beach scenes. Sorolla’s career was confirmed in Madrid, where he settled in 1890. Kissing the Relic belongs to a period in which his own personal style was beginning to evolve, bringing together his past experience and achieving notable successes: a third-class medal at the Parisian Salon, the same distinction at the 4th International Salon in Vienna in 1894 and then a first medal at the Exhibition of Spanish Art in Bilbao. During this period Sorolla based his compositions on his skill as a draughtsman, his meticulous descriptions and wise use of light and colour in genre scenes (some of them anecdotal) connected to bourgeois taste. In this work a procession of faithful is reverently awaiting to kiss the relic held by the parish priest in a side chapel of the San Pablo church in Valencia. This act of veneration marks the end of the mass and is the opportunity taken by an altar boy to sell religious pictures—the scene is therefore a fine example of genre painting. [J.N.G]
Films by Jørgen Leth stand out for their formal simplicity and lack of narrative. In his revindication of the naive appearance of Bronislaw Malinowski's ethnography, Jørgen Leth applies a strict methodology in which his notebook becomes the central support for his work. With no pedagogic or informative pretensions whatsoever, but with complete confidence in the process, Leth endorses a sensitive, non-intelligent camera that lets itself be surprised by the unexpected. Consequently, chance is always a central element in his films. For Leth, each film is but a series of frames placed one after the other, starting with the desired image and ending when the Producer considers there are enough.
This retrospective includes such films as Life in Denmark and Notes on Love in which the Danish filmmaker links a series of still shots together and contemplates his own society through an anthropological eye. In 66 Scenes from America, Leth repeats this same formal resource he had previously displayed in The Perfect Human, the short film that led to the experimental exercise he protagonised with Lars Von Trier in The Five Obstructions. In a more documentary line, films such as Notebook from China and Pelota stand out, both of which were awarded the ZINEBI First Prize, Sunday in Hell, in which the Danish Director offers his peculiar view about his great passion: namely, cycling, the inevitable Moments of Play and Haiti Untitled, a portrait of the Haitian society in which Jørgen has lived for a great part of his life. The opening sequences of Traberg, also set in Haiti and the only fictional film included in the Festival, include scenes from Bilbao shot back in the '80's.
Olatz González Abrisketa
Sponsored by METRO BILBAO

Proyection from 08|13|10 to 10|01|10
Proyection timeline for this week:
The Cinemateque has a fixed programme that is projected in the Museum auditorium twice daily on Fridays and Saturdays.
Entrance is not permitted to the Auditorium once the projection has begun.
For additional information download the programme.

12|03|10 • 12|18|10
TATI (Jacques Tatischeff), actor y realizador francés (Le Pecq. 1907-París, 1982). Sus antepasados so... 
11|22|10 • 11|27|10
The cinematheque of the museum will be one of the venues of the 52nd Edition of the ZINEBI, International Festival of Documentary an... 
10|08|10 • 11|20|10
Francisco Regueiro (Valladolid, 1934)
Diez películas en treinta años y casi los veinte últimos sin dirigir, son datos lo sufi... 
08|13|10 • 10|01|10
Films by Jørgen Leth stand out for their formal simplicity and lack of narrative. In his revindication of the naive appearance of Br... 
05|28|10 • 08|07|10
En su primer largo Los 400 golpes relata su autobiografía, la vida de un niño desamparado en el personaje de Antoine Doinel... 