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Bartolomé Esteban Murillo
Sevilla, 1617-1682
c. 1650-1655
Oil on canvas, 148 x 104 cm
Deposited by the Provincial Council of Bizkaia, after dation by BBVA in 2000
This pathetic image of St Peter repented of his denial of Christ, according to the story in the Gospels, was attributed to Ribera on account of its naturalism and the tenebrist lighting that makes the figure stand out against a dark uniform background. Nonetheless, it has been unanimously recognised as the work of the Sevillian painter Murillo, dated relatively early in his production, around the years 1650-1655, when Ribera exerted a strong but mellow influence over the former. The disposition of the figure creates the effect of a slightly downward diagonal from right to left, and the ashlar on which the book and the keys are placed relate the work to other compositions such as Ribera’s Saint Jerome in The Cleveland Museum of Art, of roughly the same period. The face, expressing restrained pathos, expresses grief and hope very well, while the materials, with rounded pleats, are characteristic of the time the work was probably painted. Twenty years later Murillo tackled the same theme again in a canvas for the Hospital of the Venerables in Seville, today kept in the Townsend Collection in Newick. This version was similarly inspired in Ribera but painted in the artist’s more diaphanous style of 1678, year in which the work has been dated after Ponz and Ceán Bermúdez, who apparently had access to documentation on the subject. This is a significant work among those produced in the mid-seventeenth century, when Murillo was gradually moving away from Tenebrism towards greater expressive freedom. While the composition is indebted to the standing figures of saints painted by Zurbarán, Murillo’s sensitivity has little in common with the austerity of the Estremaduran artist and his pictures of saints, with their delicate and free-flowing technique, are the very expression of holiness. [A.E.P.S.]

The Bilbao Fine Arts Museum's Collection is made up of more than eight thousand works, amongst which are paintings, sculptures, works on paper and applied arts that collectively represent an outstanding heritage that covers different chronological periods from the XII century to the present. The Collection, which contains several outstanding examples of old, modern and contemporary art, has a particularly interesting collection of paintings from Spanish and Flemish schools as well as an abundant collection of works by Basque artists.
Not only does the Museum house the most important collection of works by Basque artists, but it is also the most important institution as far as the gathering of documents, research tradition and its close ties with the artists themselves are concerned. Not in vain was the Bilbao painter Manuel Losada one of the most enthusiastic promoters of the Museum and indeed its first Director. Another Bilbao painter, Aurelio Arteta, was the first Director of the Bilbao Museum of Modern Art. After a past lasting 100 years, both institutions were amalgamated together to make up the actual Museum with which all the most important Basque artists from Zuloaga to Chillida have had a special relationship from the very first moment it opened. Artists have contributed greatly to the consolidation and growth of the Museum not only by participating in its administration, but also by their generous donations of works of art.
The collection of the present Bilbao Fine Arts Museum originated with the merger of the collections from the first Museo de Bellas Artes, inaugurated in 1914, and the Museo de Arte Moderno (Museum of Modern Art) in 1924. Contributions from local institutions, from private individuals and the Museum's own acquisitions helped to shape the essential profile of the collection and oriented its subsequent growth.
Strolling through the different museum exhibition halls, visitors have the opportunity of seeing outstanding works by such artists as Bermejo, Benson, Mandijn, Vredeman de Vries, De Vos, Moro, Sánchez Coello, El Greco, Pourbus, Gentileschi, Ribera, Zurbarán, Van Dyck, Murillo, Arellano, Meléndez, Bellotto, Goya, Paret, Villaamil, Ribot, Zamacois, Madrazo, Gauguin, Cassatt, Sorolla, Guiard, Ensor, Regoyos, Romero de Torres, Zuloaga, Sunyer, Arteta, Gutiérrez Solana, Vázquez Díaz, Lipchitz, Delaunay, González, Gargallo, Bacon, Palazuelo, Oteiza, Chillida, Caro, Millares, Tàpies, Saura, Lüpertz, Kitaj, Blake, Arroyo, and Barceló, amongst others.