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Martin de Vos
Amberes, Belgium, 1532-1603
1590
Oil on oak panel, 133.7 x 174.5 cm
Donated by Horacio Echevarrieta in 1919
The theme represented by De Vos in this painting was related by Ovid in his Metamor-phoses. The god Jupiter, in love with Europa, daughter of the Phoenician King Agenor, turned into a bull to abduct her and take her to Crete, where he made her his. The young girl can be seen in the background, before the abduction, playing on the shore with her companions while Mercury glides in the sky surrounded by cupids, one of whom holds Jupiter’s rays in his hands. Martin de Vos was inspired by a composition painted by Titian between 1559 and 1562, at present kept at the Isabella Stewart Gardner Museum in Boston. Having reached his artistic maturity, he revealed his skill in the execution of grounds and of anecdotal details (in the purest Flemish tradition), and in the portrayal of the female nude. This figure is impeccably rendered in sfumato, and the light seems to emerge from the flesh through soft transparencies. The yellow robe and the undulating red cloth grant the composition its colour and movement. In short, this work—one of the best and most interesting of those by De Vos—reveals a perfect synthesis of Italian taste and his refined Flemish training. Martin de Vos probably began his career in the workshop run by his father, Pieter de Vos. He travelled to Italy around the year 1552 accompanying Pieter Brueghel the Elder, and settled in Rome and Florence. In Venice he worked in Tintoretto’s studio as a specialist in landscape painting. Upon his return to Antwerp in 1558 he became the most distinguished Italianate artist in the city. [A.S.L.]
The student programmes of the Bilbao Fine Arts Museum cover the Education System at all levels and are provided as educational tools that make dialogue and reflection possible before works of art. They are also a means by which to develop social skills and stimulate knowledge in students.
In some programmes, students will be accompanied by a museum Educator; in others, it will be the teacher him, or herself, who will guide his, or her, students on the visit. This latter is what happens in the Discover the Museum, First Contact Itineraries, Basic Itineraries and Antique Painting Programmes.
On the other hand, students participating in the Visiting a Workshop Programme for Students with Visual Handicaps or Impediments and their fellow classmates consists of a route that has been specially adapted according to the level of the students. Students will also visit a space in which they can experiment both tactilely and haptically.
Should you have any queries, require additional information or wish to make a reservation, then please call (+34) 94 439 61 41.
Designed as a first approach to the world of museums for infants and primary schoolchildren, Discover the Museum seeks, among other things, to stimulate observation and dialogue and provide a vision of the Museum as a whole.
What better place than a museum for infant and primary schoolchildren to relate directly to and experiment with colours? And there’s nothing like colour to channel ideas, emotions and feelings in such an enjoyable, natural way.
In the world of art any fantastic being can come to life. In this activity we encourage infant and early primary schoolchildren to discover and have fun with some of the fantastic creatures that live in our museum.
You’ll be really surprised to find out just how many animals live in the paintings in the museum. Horses, cats, parrots and lots of others join us on this adventure where infant and early primary schoolchildren can talk about their relations with animals and their different uses.
What colour are cherries? Are apples sweet? Our infant and early primary schoolchildren can talk about these and many other things as they discover the importance of food in our lives while they visit the museum.
An entertaining and interactive journey through a selection of paintings aimed at students from second and third cycle of Primary School. Some goals are to stimulate sensitivity towards the Art and encourage the students to interpret what they see.
This is an Itinerary associated with CEIDA’s School Agenda 21 programme for improving environmental education and sustainable development. Schoolchildren from the second and third cycle of primary education learn to appreciate the presence and the importance of water in our lives by means of a guided tour, led by an educator from the Museum, of the main works in our collection.
In clear, simple and motivating terms, the programme invites schoolchildren from ESO obligatory secondary education to attempt a formal analysis of a number of artworks. The visit aims to stimulate dialogue as pupils view works of art and learn and gain experience that will be useful in other art museums.
An overview of the Museum and art history for pupils studying for their Baccalaureate. Formal analysis of paintings and sculptures through an activity designed to develop the pupils’ capacity for critical thought about art
An itinerary associated with CEIDA’s School Agenda 21 programme for improving environmental education and sustainable development. Pupils in ESO and Baccalaureate secondary education are given the opportunity to think about and discuss how a large variety of materials created for a specific use can be reused in art, and with the kind of results seen in a number of artworks in the Museum.
Oriented towards pupils in the second cycle of ESO secondary education, always accompanied by an educator from the Museum, this programme examines eight artworks, which are taken as the starting point for a consideration of the history and culture of the peoples of Europe, analyzing relations and some of the major events in their common past.
Babeslea • Patrocinador • Sponsor
Work carried out by the Department of Education and Cultural Action (DEAC) of the museum is concentrated upon the start-up or activities and programmes aimed at a wide range of ages and interests whose main aim is to encourage and stimulate the knowledge and enjoyment of the museum's Permanent Collection and Temporary Exhibitions.
We share the knowledge of other professionals in the field of museum education and listen to the contributions that members of the general public who participate in our educational project offer. Our end objective is to achieve the proper intermediation between the museum and private interests, generating proposals that make people think of the museum as somewhere that generates valuable experiences of knowledge and learning.