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PERMANENT COLLECTION
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Ignacio Zuloaga
Eibar, Gipuzkoa, 1870-Madrid, 1945
1913
Oil on canvas, 152 x 195.5 cm
Donated by Ramón de la Sota y Llano in 1919
Portrait of the Countess Mathieu de Noailles depicts Anna Elisabeth de Brancovan, a Parisian poetess of Greek and Romanian origin. Heavy curtains serve as a frame for the portrait, emphasizing the theatrical nature of the portrait. Even so, Zuloaga opens the painting up to a backdrop of clouds, itself inspired by El Greco’s backgrounds, as a way of concentrating our interest on the sensual figure of the sitter. In the lower right corner, the artist gifts us a small still-life consisting of a table with books, evoking the Countess’s devotion to literature, a necklace of pearls—a sign of passion—and a broad vase full of roses, symbol of love: both a brief symbolic compendium of the Countess’s personality and an updating of the Spanish baroque theme of the vanitas. Despite being hailed by international art critics of the early 20th century as one of the finest painters of the time, in Spain Zuloaga was accused of exalting the country’s perceived backwardness. His training, far from the academic world, the influence of the intellectual circles in Paris and his association with Spain’s highly critical "Generation of "98" literary movement, led him to take popular culture and Spanish 17th century painting and Goya as his references. These influences imbued his works with a remarkable expressiveness and powerful psychological insight, which, together with the Romantic vision and his undeniable skills as a painter, were the essential factors in Zuloaga’s subsequent output. [J.N.G.]

Independently of its permanent collection, the Bilbao Fine Arts Museum regularly organises temporary exhibition programmes.
Please consult the exhibition calendar for more information about the museum's latest proposals.
Around the museum
05|10|10 • 09|26|10
Cristóbal Balenciaga (Guetaria, Guipúzcoa, 1895–Jávea, Alicante, 1972) is one of the most outstanding creative talents in fashion history. In 1913 he opened his own workshop in San Sebastián and from 1937 to May 1968 he had a boutique in Paris, where he became a benchmark figure in haute couture, tirelessly pursuing his ideal of perfection and elegance.
The exhibition shows some forty couture pieces from the Basque regional government’s collection, the Balenciaga Foundation and two private collections in the Basque Country and Madrid. Rather than trying to give a fashion-eye overview of Balenciaga’s work and creations, the itinerary running through different areas of the Museum aims to stimulate the spectator into thinking about the role of fashion and clothing in individual and group identity: delineating physical and social limits, Balenciaga’s dresses may be said to frame the women that wear them. His creations transform their wearers into elegant females who hide their individual femininity beneath the armour of good taste and refined form. The geometric beauty of the cut and the extraordinary chromatic harmony will astound the spectator in this exceptional show that focuses on one of the best fashion designers from the golden age of haute couture.
In the image (From left to right): Cocktail dress with overskirt in blue and black printed Ikat Ottoman, 1957. The Cristóbal Balenciaga Foundation Evening gown and short cape in blue gazar, 1966.The Cristóbal Balenciaga Foundation Black crêpe evening dress with one strap over the left shoulder, 1967. Deposited by the Basque Government
Babeslea • Patrocinador • Sponsor

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