View the recommended itinerary
PERMANENT COLLECTION
Recommended itinerary
« Go back to the previous page
Eduardo Chillida
San Sebastián, 1924 - 2002
1956
Wrought iron, 28.5 x 63 x 25 cm
Acquired in 2003
Chillida’s work varied between what we might term informalist calligraphy (in other words, rapid, continuous lines and traces) and more compact forms of "imprecise geometry" close to spatialist techniques and concerns. The variation in style from work to work often depended on the media used, the sculptor being particularly sensitive to the different plastic values of his preferred materials, iron, wood, alabaster, concrete and terracotta. Trembling Irons II is part of a group of sculptures Chillida exhibited in Paris in 1956 and which brought him international recognition. Clearly appreciable in the work is the linear development of the iron, its incisive graphic nature, and the associations with the labours of the blacksmiths who produced farm tools, arms and other primitive instruments. Indeed, Trembling Irons II seems to "abstract" the shape of a plough, converting it into a sign pointing to the infinite and thus transforming it into an object of metaphysical significance. What the artist conveys is the arduous search for exacting expression, by using cast iron, which takes time and no little effort to transform, to transfer the flexible development of spontaneous graphics into physical space. Although Chillida originally studied architecture in Madrid, he soon turned to sculpture. After a sojourn in Paris, he returned to the Basque Country in 1951. In 1958 he won the Grand Prize for Sculpture at the Venice Biennial. Heir to a tradition of sculpture in iron launched by Picasso, Julio González and Pablo Gargallo, Chillida is one of the essential sculptors of the second half of the 20th century. His collaboration with philosophers such as Heidegger and Cioran and poets of the stature of Jorge Guillén give an idea of the essentialist leanings of his work as a whole. [J.V.]

Independently of its permanent collection, the Bilbao Fine Arts Museum regularly organises temporary exhibition programmes.
Please consult the exhibition calendar for more information about the museum's latest proposals.
In 1975 the George Eastman House, New York, organized an exhibition entitled New Topographics: Photographs of a Man-Altered Landscape, which signalled a radical change in the genre. Works by nine photographers, Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Joe Deal, Frank Gohlke, Nicholas Nixon, John Schott, Stephen Shore and Henry Wesse, Jr., defined a new concept for landscapes, clearly differentiated from the romantic tradition, concentrating on the post-industrialization relationship between nature and man.
The Center for Creative Photography at the University of Tucson, Arizona, now proposes to revisit the original exhibition in 141 photographs, with a view to examining the aesthetic renovation of American landscape photography in the late nineteen-seventies, and understanding its subsequent influence on conceptual art, land art and architecture.
Laguntzailea • Colaborador • Contributor

02|27|12 • 06|10|12
In 1995, three boxes containing 165 rolls of film, with nearly 4,500 camera snapshots of incredible documentary value came to light ... 
THE GUEST WORK
04|17|12 • 07|08|12
Caspar David Friedrich began his art training in his hometown of Greifswald, then part of Sweden, with the university teacher of dra... 
05|07|12 • 09|09|12
Born into a family of wood carvers and cabinetmakers, José Ramón Anda (Bakaiku, Navarra, 1949) came into early contact... 

06|11|12 • 09|23|12
From the Bilbao Fine Arts Museum’s extensive collection of works on paper come the four most celebrated series of etchings by ... 
10|08|12 • 01|20|13
Painter, draughtsman and sculptor Fernando Botero (Medellín, Colombia, 1932) is the best known of Latin American artists at work tod... 

02|13|12 • 05|20|12
The Bilbao Fine Arts Museum presents the first individual exhibition devoted to Bilbao artist Anselmo Guinea (1855–1906). Anse... 
THE GUEST WORK
01|10|12 • 04|08|12
Because of their size and dating (both are from the same year, 1835, according to José Luis Díez 2005) these two pictu... 
10|10|11 • 01|29|12
Usually classed as a realist painter, Antonio López (born in Tomelloso in 1936) is one of the most idiosyncratic artists at w... 